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manifesto of fragility: Beirut and The Golden Sixties

16th Biennale de Lyon - Exhibition
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Exhibition Beirut and the Golden Sixties
Design Studio Safar
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At the macLYON Beirut and the Golden Sixties presents a pivotal moment in modern history from the vantage point of an ongoing crisis, highlighting the entanglement of past and present cycles of fragility and resistance. With more than 230 artworks by 34 artists and 300 archival materials from more than 40 collectors, this part of the 16th Lyon Biennale introduces fresh perspectives on a pivotal period in the history of Beirut, a city that is still burdened by the weight of its irreconcilable ambitions.

Beirut and the Golden Sixties: A Manifesto of Fragility is curated by Sam Bardaouil and Till Fellrath. The exhibition is organized in cooperation with the Gropius Bau, Berlin.

 

Beirut and the Golden Sixties: A Manifesto of Fragility revisits a turbulent chapter in the development of modernism in Beirut beginning with the 1958 Lebanon crisis and ending with the 1975 outbreak of the Lebanese Civil War. It examines this romanticised era of global influence in Beirut to highlight how collisions between art, culture and polarised political ideologies turned the Beirut art scene into a microcosm for larger trans-regional tensions.

The exhibition traces a brief but rich period of artistic and political ferment. Following Lebanon’s independence from French-mandated colonial rule in 1943, Beirut became a destination for many intellectuals and cultural practitioners from the Middle East and Arabic-speaking North Africa. With revolutions, coups and wars unfolding across these regions over the next three decades, the influx of new inhabitants into Beirut continued throughout this period. Encouraged in part by the Lebanese banking secrecy law of 1956, which prevented financial institutions from disclosing clients’ identities or assets, new streams of foreign capital also flowed into the city. Commercial galleries, independent art spaces and museums flourished. Beirut was bursting at the seams with people and opportunities, but also with ideas. However, underneath the prosperity and abundance, antagonisms festered and eventually erupted in 15-year civil war.

Beirut and the Golden Sixties presents a crucial moment in modern history from the vantage point of an ongoing crisis, highlighting the entanglement of past and contemporary struggles. Joana Hadjithomas and Khalil Joreige’s multimedia installation, created specifically for the exhibition, sheds new light on the transformative effects of violence on art and artistic production, and the power of poetry in opposition to chaos. With its wide-reaching artworks and archival materials, the exhibition introduces fresh perspectives on a pivotal period in the history of Beirut, a city burdened by the weight of its ambitions where the question of art’s role in times of hardship forever lingers.

 

The artists: 
Shafic Abboud, Etel Adnan, Farid Aouad, Dia Al-Azzawi, Alfred Basbous, Joseph Basbous, Michel Basbous, Assadour Bezdikian, Huguette Caland, Rafic Charaf, Saloua Raouda Choucair, Georges Doche, Simone Fattal, Laure Ghorayeb, Paul Guiragossian, Farid Haddad, John Hadidian, Jumana Bayazid El-Husseini, Dorothy Salhab Kazemi, Helen El-Khal, Simone Baltaxé Martayan, Jamil Molaeb,
Fateh Al-Moudarres, Nicolas Moufarrege, Mehdi Moutashar, Aref El Rayess, Adel Al-Saghir, Mahmoud Said, Nadia Saikali, Hashim Samarchi, Mona Saudi, Juliana Seraphim, Cici Sursock, Khalil Zgaib

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In Musée d'art contemporain de Lyon

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